Cinematography: Film genre, Tracking shot, Shot reverse shot, Cinematographer, L cut, Cutaway, Insert, Follow focus, List of film formats, Panavision, Black Magic Tim, Combat in film, Deep focus, Alfred John West, Camera magazine, JA Prestwich Industries

Source: Wikipedia. Pages: 69. Chapters: Film genre, Tracking shot, Shot reverse shot, Cinematographer, L cut, Cutaway, Insert, Follow focus, List of film formats, Panavision, Black Magic Tim, Combat in film, Deep focus, Alfred John West, Camera magazine, JA Prestwich Industries, Video assist, Visions of Light, Long take, Shaky camera, Color gel, Focus puller, Match cut, Parabolic aluminized reflector light, Cinematic techniques, Electronovision, Dolly zoom, Kinopanorama, Home movies, Negative cutting, No Subtitles Necessary: Laszlo & Vilmos, Bipack, Steadicam, ASC CDL, Color correction, Clapper loader, Film gate, Panning, American Society of Cinematographers, Ciociaria in cinematography, Three-point lighting, Showscan, Short end, Eclair, Key light, Iso-elastic, Trunk shot, Cross-cutting, Armored Trunk Manufacturing Company, Camera operator, Original camera negative, High-key lighting, Available light, Axial cut, Cutting on action, Interpositive, Skypan, Cinematography Mailing List, Jib, Shallow focus, British Society of Cinematographers, ASC Technology Committee, Society of Operating Cameramen, Stereographer, Eyeline match, Flashing, Low-key lighting, Digital imaging technician, Re-can, Lumapanel, Camera shoulder support, Keller-Dorian cinematography, Racking focus, Stalker vision, Background light, Heligimbal, Behind the Camera, Filipino Society of Cinematographers, JVC HD100, Follow shot, Wickmania, International Cinematographers Guild, Buffer shot, Tilt, One-light, Whip pan, Unchained camera technique, Camera stabilizer, Eye-level camera angle. Excerpt: This list of film formats catalogues formats developed for shooting or viewing motion pictures, ranging from the Chronophotographe format from 1888, to mid-20th century formats such as the 1953 CinemaScope format, to more recent formats such as the 1992 IMAX HD format. To be included in this list, the formats must all have been used in the field or for test shooting, and they must all use photochemical images that are formed or projected on a film base, a transparent substrate which supports the photosensitive emulsion. As well, the formats must have been used to make more than just a few test frames. The camera must be fast enough (in frames per second) to create an illusion of motion consistent with the persistence of vision phenomenon. The format must be significantly unique from other listed formats in regard to its image capture or image projection. The format characteristics should be clearly definable in several listed parameters (e. g., film gauge, aspect ratio, etc.). Formats are listed in chronological order and by release date in the case of multiple formats within one year, if this can be determined. Undated formats are listed at the bottom in alphabetical order. The table does not cover 3D systems or color film systems, nor is it well-suited to emphasize the differences between those systems. Panavision is an American motion picture equipment company specializing in cameras and lenses, based in Woodland Hills, California. Formed by Robert Gottschalk as a small partnership to create anamorphic projection lenses during the widescreen boom in the 1950s, Panavision expanded its product lines to meet the demands of modern filmmakers. The company introduced its first products in 1954. Originally a provider of CinemaScope accessories, the company's line of anamorphic widescreen lenses soon became the industry leader. In 1972, Panavision helped revolutionize filmmaking with ...